The Lion King Musical – a review

*Spectacular* If I could sum up The Lion King Musical in one word, that would be it.

The costumes …

The puppetry … 

The choreography…

The staging…

The vocals…

The acting…

… all spectacular!

There is just no better word to describe the show we watched at Bristol Hippodrome on Tuesday, it really was a masterpiece from start to finish and there is no other show like it! 

The Lion King is an award winning landmark musical that can be enjoyed by people of all ages. Everything about it is incredible and well-planned. There has been great work by the movement and choreography teams to inspire the cast to move like animals and it’s mesmerising. The artistry of the production draws on diverse cultural influences, enriched by the strong colours, Javanese dance and the distinctive rhythms and sounds from Africa. It’s so easy to believe you’re in the savanna for the duration of the show!

The Lion King Musical is a great choice for a family trip this half term! It is a great choice for a child’s first musical experience and a perfect introduction to the world of theatre for many reasons.

For starters, the show is mesmerising with incredible costumes, scenery and puppetry. In addition to the wonderful theatrics, every child can relate to a parent-child relationship and so even the smallest members of the audience can feel an emotional connection to the story. Add to that the familiar songs and humorous characters and kids are completely fixated on the stage. Otis is 6 and barely moved throughout the show, keeping his eyes fixed on the actors. I’d think this is a great show for children aged 5+, and potentially even 4 year olds who can sit well for an extended period of time already.

What I really loved about the show is how the actors perfectly depicted the emotional growth and development of Simba and Nala from childhood into adulthood. Young Simba was played by Vidar Soluade and Young Nala was played by Adreanna Steventon-Todd. Both young actors perfectly showed the innocence and nativity of their characters as well as their fun and rebellious sides. Their energy was infectious as they interacted so well with each other and the adults on stage.

Once matured, the roles of Simba and Nala were played by Kyle Richardson and Nokwanda Khuzwayo who, despite the growth in age, still brought youthful energy to the stage whilst also perfectly showing their struggles with the responsibilities of adulthood. 

The role of Mufasa was played by Jean-Luc Guizonne and he makes it known he is the king from his first step on stage. Every step is strong, proud & charismatic. 

Brilliant humour was brought to the show through so many different characters. Alan McHale‘s performance as Timon and Carl Sanderson as Pumbaa always had the audience giggling along thanks to some well-timed punchlines. Hyena trio Shenzi, Banzai and Ed (Candida Mosoma, Reece McKenzie and Alex Bloomer) – Ed especially – gave us some silly humour which the kids in the audience especially found funny (Otis kept sticking his tongue out to mimick Ed as he laughed along!). Other humorous characters included Zazu (Matthew Forbes), Rafiki (Zodwa Mrasi) and at times, Scar too (Richard Hurst)! Zazu seemed to be a particular favourite with the parents in the audience who related to his struggles of keeping young Simba and Nala in line!

© JOHAN PERSSON

All in all, this is an exciting and clever show from start to finish. From the very first scene, the cast move through the audience where those in the stalls are treated to a really up-close look at the brilliant costumes and puppets – including an almost life-size elephant and rhino! In fact, the cast make use of the two aisles in the stalls frequently and it’s also a great place to sit for a good view of the musicians placed in the balconies. For this reason, if you’re able to spend a little more for seats in the stalls, this is the show to do it! 

The Lion King is at Bristol Hippodrome until 1st July and you really don’t want to miss this one!

Book your tickets here:

https://www.atgtickets.com/shows/disneys-the-lion-king/bristol-hippodrome/

Beauty And The Beast The Musical – my review

A Tale As Old As Time, but somehow never gets old!

Last night I visited Bristol Hippodrome with Otis (5) to see Beauty And The Beast The Musical for their press night. I will admit this was my 4th time seeing the show, yet it still managed to blow me away, made me gasp at the magical affects and triggered emotions in me throughout. If you’ve never seen it, I recommend booking a ticket at Bristol Hippodrome before it finishes on 12th Nov. If you’ve already seen it, I recommend seeing it again!

Bristol Hippodrome:
view from Row F, seats 20 & 21

After the prologue in which the back-story to the Beast’s curse is told, the show immediately starts full of energy as we are transported to a provincial village complete with an ensemble full of character, giving a perfect insight into the day-to-day lives of the villagers through beautifully choreographed song and dance.

I’m sure most of you will already know the storyline of Beauty And The Beast and how it is a story told through a rollercoaster of happy and light-hearted humour as well as dark and mysterious scenes. The Musical echoes the original family-favourite Disney movie, but with additional songs and even extra interactions between characters, such as between Belle and her father.

Throughout the show Lumiere (Alyn Hawke) and Cogsworth (Nigel Richards) bounced off each other’s humour in a way that had the whole audience smiling as we watched how the unlikely friends bonded so well. This humour teamed with the hopeless clumsiness of Le Fou (Louis Stockil) made for a serious story shown through a light-hearted manner, making it perfect for children too.

In such a musical, it is so difficult to pull out favourite scenes as they all play into each other perfectly, but there are definitely standout moments that had the audience gasping, emotional and erupting in applause.

Credit: Johan Persson

The Tavern scene was perfectly executed as Gaston (Tom Senior), Le Fou (Louis Stockil) and the Ensemble brought to life the aesthetic of a small, French tavern. As they performed “Gaston”, the audience were treated to brilliant choreography featuring metal tankards being clashed in beat with the song, all over the stage. There were even a few “magic trick” style stage affects that made it look like real arrows were being fired and guns were being shot on stage.

Credit: Johan Persson

We were then treated to the “Be Our Guest” scene which (if you’ve ever seen the film) had a lot of high expectations to meet, but managed to exceed them in every way. Tap-dancing, synchronised floor dancing, epically strong vocals, humour, transforming costumes, illusion-style staging and captivating lighting – you name it, this scene had it! And then it ended with cannons of streamers being fired into the audience which, as you can imagine, had everyone cheering in glee (Otis in particular couldn’t contain his excitements as the streamers fell all around us)!

It wasn’t just the busy scenes with a large cast on stage that impacted the audience though. The Beast’s (Shaq Taylor) performance of “If I Can’t Love Her” was so full of emotion that it truly felt like the Beast was singing from the heart there and then instead of remembering a well-rehearsed lyric sheet. Even as one person on stage, the scene was powerful and Shaq had the whole audience listening intently to every word.

This power is then echoed in Belle’s (Courtney Stapleton) lone performance of “A Change In Me”. Courtney absolutely blew the roof off the theatre and at the end (rightly so) the audience erupted in applause after being taken aback by such a strong vocal performance, delivered through deep emotion.

It doesn’t matter how many times I’ve seen the film and this show, the ending always gets the better of me. I’m not sure how many dry eyes there were as all the castle characters transformed back to their human selves, but mine certainly wasn’t one of them as Mrs Potts (Sam Bailey) was reunited with her son chip (Zayne Norris) who came running into her arms on stage. Beauty And The Beast The Musical has a truly magical way of taking you into the lives of its characters and experiencing this journey of love, loss, humour and desperation with them. It’s a story of falling in love that we can all relate to with a meaningful moral that we can all learn from. A 10/10 must-see show for the whole family!

Beauty And The Beast The Musical is on at Bristol Hippodrome until 12th November withh matinee performances on various week and weekend days until then. Tickets are available from £20 per person and there is a special performance for a visually impaired audience on Wednesday 19th October.

Click here to book your tickets!